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Calder has a workshop in the cellar and attends Lowell High School. (Hayes 1977, 42) The Calders move to Spuyten Duyvil, New York. (Calder 1966, 34–35) 14 August: Stirling is appointed as the acting chief of the department of sculpture of the Panama-Pacific International Exposition in San Francisco. (Calder 1966, 36) June: The Calders move to San Francisco. Produced and directed by Hans Richter, assisted by Miriam Reaburn; cinematography by Arnold Eagle; music by Louis Applebaum. Sponsored by New World Films and Motion Picture Stages. I went to Vancouver and called on him, and we had quite a talk about what career I should follow. Directed and cinematography by Herbert Matter; produced and narrated by Burgess Meredith; music by John Cage. (CF, Calder 1955–56, 39; Calder 1966, 57–58) Spring: With the help of Stirling's introduction, Calder seeks employment with an engineer in Canada. The company adopts his suggestion and sends him a note of thanks along with a case of Corn Flakes. Barr, Jr., Nancy Newhall, George Amberg, Iris Barry, Elizabeth Mock, Serge Chermayeff, Rene D'Harnoncourt, Monroe Wheeler, Elodie Courter, and Victor D'Amico. Sponsored by Peggy Guggenheim's Art of This Century, New York. He advised me to do what I really wanted to do—he himself often wished he had been an architect. (Calder 1966, 59) Summer: Calder writes the Kellogg Company and suggests they modify their cereal packaging, putting the wax paper on the inside rather than on the outside of the boxes.
(Calder 1966, 48) 17 June: Calder graduates from Stevens with a degree in mechanical engineering.
Calder attends Germantown Academy for two or three months while his parents search for a house close to New York City.
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